2019英國查爾斯大型春季拍賣會+深圳第十五屆文博會鑒賞：德化窯白釉千手觀音站像

2019 British Charles Large Spring Auction + Shenzhen 15th Literary Fair Boutique Appreciation: Dehua Kiln White Glaze Thousand Hand Guanyin Station Image


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何朝宗為中國明代瓷塑家。（1522-1600年）何朝宗生活在明代嘉靖，萬歷年間。自幼受環(huán)境熏陶，喜愛瓷塑工藝，拜當?shù)厝藶閹煛Ｔ缒隇閷m廟泥塑各種神仙佛像。他的瓷塑作品，吸收泥塑，木雕和石刻造像的各種技法，結合瓷土特性，博取各家之長。他所塑造的的各種古佛神仙，發(fā)揮傳統(tǒng)雕塑傳神寫意的長處，微妙地表現(xiàn)人物內(nèi)心世界，富有神韻。在注意人物內(nèi)在表現(xiàn)的同時，著意外表的衣紋刻畫，線條清晰，簡潔，瀟灑，多變化，柔媚流暢，翻轉自然，圓勁有力。塑造的形象既有共同特征，又有不同個性，形神兼?zhèn)?，富有藝術魅力。清乾隆《泉州府志卷六十六-明-藝術》載：“有何朝宗者，不知何許人，或云祖貫德化，善陶瓷像，天下傳寶之?！薄稌x江縣志》亦載：“有何朝宗者，善制陶像，人掙寶之?！焙纬谥绊懸鄰V播海外，泉州自宋即為重要海港，德化窯亦隨之海外。其在明代進入鼎盛時期，胎質(zhì)釉色與造型技法皆極其勝，無可出其右者，故為世所珍，被英國漢學家波西耳贊為世界白瓷之母，亦稱中國白。

Hezhaozong is a Chinese porcelain plastician of the Ming Dynasty. (1522-1600) Hezhaozong lived in Jiajing in the Ming Dynasty, during the Wanli period. He was influenced by the environment since childhood, loved porcelain molding techniques, and worshipped local people as teachers. In the early years, it was a clay sculpture of various fairy statues. His porcelain sculpture works absorb various techniques of clay sculpture, wood carving and stone carving, and combine the characteristics of porcelain and earth to capture the strengths of each family. The various ancient Buddha gods he molded played the strengths of traditional sculpture to convey the inner world of the characters and were full of charm. While paying attention to the inner performance of the characters, the lines of the appearance are clear, concise, smart, varied, soft and smooth, flip nature, and round and powerful. Shaped image has common characteristics, but also have different personalities, both shape and spirit, full of artistic charm. Qing Emperor Qianlong's "Quanzhou State Book Sixty-Six-Ming-Art" contains: "There are Hezhaozong, I do not know who, or Yunzuguan, good ceramic statues, the world passed treasure. "Jinjiang County Chronicle" also contains: "There are Hezhaozong, good pottery statues, people earn treasure. "Hezhaozong's influence is also broadcast overseas. Quanzhou has been an important seaport since the Song Dynasty, and Dehua Kiln has also sold well overseas. In the Ming Dynasty, when it entered its heyday, fetal enamel and modeling techniques were extremely successful and had no right. Therefore, they were honored by the world and were praised by the famous British sinologist Posey as the mother of the world's white porcelain, also known as China White.



名稱：德化窯白釉千手觀音站像

規(guī)格：高：50.5cm 底徑：15cm

年代：明代

何朝宗及其“何派”之作，充分吸收了魏晉南北朝以來佛教造像的傳統(tǒng)，繼承了唐代造像豐腴之美，和宋代佛像典雅溫潤之風，沉浸于明代復古氛圍之中，故而風格洗練，質(zhì)樸典雅，溫潤內(nèi)斂，不以裝飾繁縟為美，超塵脫俗，渾然天成，令人仰之彌高。。在這藝術脈系中，顯著者包括明代瓷雕大師何朝春，張壽山 ，心默子等，清代瓷雕大師林捷生，民國大師許友義等皆以技傳世。故而“何派”能夠樹一幟于中國雕瓷史。

Name: Dehua Kiln White Glaze Thousand Hand Guanyin Station Image

Specification: Height: 50.5 cm Floor diameter: 15cm

Age: Ming Dynasty

Hezhaozong and his work "Hepai" fully absorbed the excellent tradition of Buddhist statues since the Wei, Jin, and Southern and Northern Dynasties. They inherited the beauty of the Tang Dynasty statues, and the elegant and gentle style of the Song Dynasty statues, immersed in the retro atmosphere of the Ming Dynasty. Therefore, the style is refined and simple and elegant. Gentle and introverted, not to decorate for the United States, surpasses the dust and refined, natural, it is high. And ... In this artistic vein, the prominent ones include the Ming Dynasty porcelain carving masters He Chaochun, Chen Zhangshoushan, Xin Mozi, etc., the Qing Dynasty porcelain carving master Linjiesheng, and the Republic of China master Xuyouyi. Therefore, "Hepai" can be unique in the history of Chinese porcelain carvings.



觀音立姿，面若滿月，發(fā)如細絲，發(fā)髻高挽，目光微垂，慈祥端莊。上身披巾，胸佩蓮花式瓔珞，衣褶貼體，身著廣袖通肩大衣，共二十四只手，下著長裙曳地，置于蓮花之間，通體施白釉，色象牙白，釉色純凈，瑩潤可愛神情嫻雅平靜，安詳自若，似低垂凝思，又似在俯瞰關注著蕓蕓眾生，巧妙地表現(xiàn)了觀音大慈大悲，救苦救難，庇護眾生的精神和氣質(zhì)，具有震撼人心的藝術感染力。觀音造型優(yōu)美，刀法深刻銳利，衣紋流轉自然，好似臨風飄拂，且所塑顏容端麗，神韻灑脫，富有強烈的藝術魅力，充分展現(xiàn)了德化窯瓷塑高超的工藝水平，是一件難得的雕塑大師作品。

Guanyin stands upright, if the face is full moon, hair is like silk, hair is high pull, eyes are slightly hanging, kind and dignified. The upper body shawl, the corknet, the pleated body, dressed in a wide-sleeved shoulder coat, a total of twenty-four hands, a long skirt dragging the ground, placed between the Lotus, white glaze, color ivory white, pure glaze, beautiful, elegant, calm, calm, calm, comfortable, Like low thinking, it seems to be watching over the masses of sentient beings. It cleverly shows the great sadness of Guanyin, the rescue of suffering, and the spirit and temperament of sheltering sentient beings. It has a shocking artistic appeal. Guanyin has a beautiful shape, a deep and sharp knife method, and a natural flow of clothes. It looks like a breeze, and it has a beautiful appearance. It is full of strong artistic charm and fully shows the superb craftsmanship of Dehua Kiln porcelain. It is a rare sculpture master work.



看胎釉很重要。德化窯胎質(zhì)致密，透光度良好，俗稱“糯米胎”。但，由于是人工淘洗，再精細，在放大鏡下也能見有微小顆粒。而現(xiàn)代淘洗使用機 器研磨，瓷土呈粉末狀，因此，如遇胎質(zhì)過分精細者，要慎重。明代德化窯白瓷的釉水系特色的乳白釉。這種釉色勻薄純凈，光潤明亮，乳白如凝脂，對光照看，釉中隱現(xiàn)乳白或微透粉紅，后者尤其名貴，因此，有“豬油白”、“象牙白”“中國白”之美稱。

It's important to look at fetal glaze. Dehua kiln has dense tire quality and good light permeability, commonly known as "glutinous rice tire." However, because it is artificially washed, it is fine and can be seen with tiny particles under a magnifying glass. The modern washing machine grinding, porcelain soil powder, so, if the fetal quality is too fine, we must be careful. The white glaze system of Dehua Kiln in the Ming Dynasty has a unique milky white glaze. This kind of glaze is thin and pure, smooth and bright, milky white like coagulant, looking after the light, white or slightly pink in the glaze, the latter is particularly valuable, so there are "lard white", "ivory white" "Chinese white" The beautiful name.

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